reader’s interpretation. Within both literature and film, women tend to be conveyed as either a victim, saviour and more commonly than not, a predator. The first mirrors fragility, vulnerability and innocence. The second reflects the good, usually the character the reader perceives as their safety blanket, conquering evil at the climatic point. Juxtaposed with the final category women tend to fall under, the predator is dangerous and underestimated. This role contributes towards the pain/pleasure paradox