borrowed by stylisticians from art criticism, which distinguishes between the foreground and the background of a painting. The theory of foregrounding is probably the most important theory within stylistic analysis, and foregrounding analysis is arguably the most important part of the stylistic analysis in poetry. And it is realized through linguistic deviation and linguistic parallelism.This paper aims at exploring the aspects foregrounding inE.E.Cummings' " Love is a place" and Lord Alfred Tennyson's