Jane Eyre Identity

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Like many, Jane has a big struggle identifying herself as a person, which makes for one of the more major conflicts within the novel of Jane Eyre. Moving through the novel with Jane we see a constant inflow of new characters, all who affect her in some way. Through these associations we see her trying to establish her own self, hesitating between who she is and what she does/accomplishes, which seem to be a bit different, in the sense she conceals a lot of her inner self to be viewed in a better light of her peers. Jane’s character and identity is overwhelmed with passion and emotion, with cold, calculating undertones. These are Jane’s two extremes, and with each character introduced, they represent one of the two and act as a potential influence,…show more content…
She is all fire and has no self-control or calculating behavior. Jane also recognizes her reality, and the reality of what her future will look like as a girl in her society when she describes her cousin John Reed: he is “like a murderer…like a slave-driver…like the Roman emperors!” (Bronte 5). This is an insight none the less, given to readers by Jane herself, through her voice there is recognition and an act of resistance. She resists early life oppression she faces in the Reed household, which leads to her red room experience. “I was oppressed, suffocated: endurance broke down—I uttered a wild, involuntary cry—I rushed to the door and shook the lock in desperate effort” (Bronte 24).This sets the stage for the constant need for Jane to have her voice be heard and the truth be…show more content…
Jane is naturally of lesser value than a man of her time, and she is socially marginalized not only because of gender, but for wealth/social status. Her biggest challenge then is to be seen as an equal, even though she doesn’t have as many options she takes what the world gives her and provides it with her own spin of experiences and culture. Jane gains power with the more conflict and hardships she experiences in life. Jane knows how she has been wronged and she is not afraid to strike back. I am glad you are no relation of mine. . . . You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back.... And that punishment you made me suffer because your wicked boy struck me—knocked me down for nothing… ’Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped-for liberty (Bronte

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