understood to present at least, in a structural or generalized imaginary sense, the identities of black diasporic women throughout their texts. Writing becomes another form of coalition that eliminates borders and focuses mainly on what unites these women. Toni Morrison and Alice Walker encourage serious and mutual commitment among black women in order to heal wounds linked to oppression related to race, class and patriarchal constraint. The paper is an attempt to show how Alice Walker and Toni Morrison
in ‘Othello’ (1603) by William Shakespeare, ‘A Streetcar Named Desire’ (1947) by Tennessee Williams and ‘The Color Purple’ (1982) by Alice Walker. Despite being written in vastly different settings, it seems that all three texts are closely concerned with the struggle of extraordinary and ordinary people alike searching for one admirable end: love. The epistolary novel ‘The Color Purple’ explores the intertwined issues of racism and sexism that produce barriers to love in a similar way to the Southern