Flannery O Connor's Stories

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A Critical Analysis on two of Flannery O’ Connor’s Stories The stories A Good Man is Hard to Find and Good Country People by Flannery O’ Connor are stories with a complete plot twist with a surprising ending for the reason. It leaves many to believe that her work is packed with realism with grotesque situations such as; violence occurs without apparent reason or preparation. Although there may not be any happy endings in her writing, it keeps the stories interesting and unique work of art. Her type of literature always leaves the reader questioning certain scenes and scenarios that were not given, and leaving the reader guessing. Both A Good Man is Hard to Find and Good Country People are similar and different in many ways while showing us…show more content…
Characters in her stories always have a devastating ending or issue that leaves the reader sympathetic for those who suffer greatly. It seems as if O’Connor is showing us the pain she is going through with an immune system disorder she had to live with which later on caused her to end a short life as an invalid. In A Good Man Is Hard to Find here’s an example of an unpleasant ending once the Grandmother touched the Misfits shoulder. “The Misfit sprang back as if a snake had bitten him and shot her three times through the chest. Then he put his gun down on the ground and took off his glasses, and began to clean them” (O’Connor 493). In Good Country People Manly Pointer steals Hulga’s wooden leg after tricking her into thinking he’s a good man. “She saw him grab the leg and then she saw it for an instant slanted forlornly across the inside of the suitcase with a Bible at either side of its opposite end” (O’Connor 18). These two scenes show the reader how the ending of her stories are always…show more content…
Although there is a lot of discussion of her true beliefs, she is said to be a Catholic even with the surprised endings in her stories. “two inclinations led O'Connor to write stories in which religious faith (or its absence) and its effects on her characters were portrayed with little or no explanatory authorial comment. Because these stories are in the broadest sense comic--and because they portray a culture of which most educated Americans of the 50's knew little or nothing—“ (Teachout). Years following O’Connor’s death, her orthodoxy became widely known in personal letters she
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