published by Ana M. López in Julianne Burton’s influential collection The Social Documentary in Latin America (1990), Patrick Blaine notes that Guzmán’s film “seamlessly integrate[s] a number of key narrative devices [. . . ] that ma[ke] it a truly innovative project, surpassing the paradigm of the [documentary] genre in the New Latin American cinema movement and indicating the direction he would take with his later films.” Blaine notes that, surprisingly, for its time, La batalla “comes close to what