tough and do not bother paying attention to their own feelings. In the movie Point Break, you will see characters communicating with each other very differently with one another. From Deborah Tannen’s essay on Sex Lies and Conversation: Why Is It So Hard For Men and Women To Talk To Each Other?, sometimes the points she makes and the research in her essay is seen in the movie with certain characters but not on all of them. Cross-cultural communication is one of the reasons as to why they communicate
Fletcher along with the other characters are not described by narration. I had to analyze the characters with their voices in the dialogues throughout the short story. Welty’s introduction into the story influences the conversation among the characters as dishonesty of adoration and deceitfulness. The beauty shop scenery contributes to an energetic conversation of rumors and lies. The author transforms the beauty shop into a place where the horrible characteristics of these ladies' internal personalities
Naik righty opines: “…the Tagore-Aurobindo-Kaliasam tradition of poetic drama continues, but with a difference in the hands of Manjeri Isvaran, G.V. Desani, Lakhan Deb and Pritish Nandy.” Manjeri Isvaran’s Yama and Yami (1948) is a dialogue in poetic prose, with a prologue and an epilogue, dealing with the incestuous love of Yami for her brother. G. V. Desani’s Hali (1950), an entirely different kind of play, received high praise for its originality, symbolism and rich imagery. Lakhan Deb’s Tiger