George Orwell’s Nineteen Eighty-Four and Margaret Attwood’s The Handmaid’s Tale to a kind of silent suppression in Aldous Huxley’s Brave New World and Ray Bradbury’s Fahrenheit 451 or even just a suppression by the circumstance of nature in Cormac McCarthy’s The Road. There are many different ways in which the suppression is manifested and many would argue that it’s not just the obviously controlled that are lacking in individuality. Whilst it is clear that the suppression of individuality does play