Crusade, A Duty-Dance With Death and Jonathan Safran Foer’s Extremely Loud & Incredibly Close share several similar traits. These commonalities reside in the authors’ specific use of character in relation or reaction to setting, and in their eschewing of the linear narrative form. Both writers employ main characters who struggle against the mental fall-out of having experienced catastrophic events – with the World War Two-era firebombing of the German city of Dresden, in particular, playing a central