Andy Warhol: The Conundrums Of Abstract Expressionism

2208 Words9 Pages
It is one of the numerous conundrums of Abstract Expressionism that the foundations of the development lie in the metaphorical painting of the 1930s. Most of the artists who might later get to be abstract painters in New York in the 1940s and 1950s were stamped by the experience of the Great Depression, and they came to development whilst painting in styles affected by social authenticity and the Regionalist development. By the late 1940s most had deserted those styles, yet they gained much from their initial work. It empowered them in their dedication to a art in light of individual experience. Time spent painting paintings would later urge them to make dynamic works of art on a comparably stupendous scale. The experience of working for the administration - sponsored Works Progress Administration additionally united numerous divergent figures, and this would make it less demanding for them to rally again in the late 1940s and mid 1950s when the new style was being advanced. Numerous European…show more content…
The regular subject in the midst of the diverse subjects is their motivation in mass purchaser society. His most punctual works portray items like Coca-Cola bottles and Campbell's Soup Cans, replicated endlessly, as though the display divider were a rack in a market. Warhol transitioned from hand painting to screen printing to further encourage the huge scale replication of pop pictures. Warhol's emphasis on mechanical multiplication rejected ideas of artistic validness and virtuoso. Rather, he recognized the commodification of art, demonstrating that compositions were the same as jars of Campbell's soup; both have material worth and could be purchased and sold like buyer products. He further likened the mass-created status of customer products with that of famous people in representations like Marilyn Diptych

    More about Andy Warhol: The Conundrums Of Abstract Expressionism

      Open Document