What Is Reason In A Clockwork Orange

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In the novel “A Clockwork Orange” written by Anthony Burgess, a common theme is invoked to the reader regarding the comparison between passion and reason. The theme is that a person should always maintain the freedom to be passionate rather than coerce to societies norms and become reasonable. Even if that freedom is violent, it is still better than coerced goodness. It is meaningless unless someone actively chooses to be good. The author hints at this theme throughout the novel using the internal conflict that the main character, Alex, experiences from the battle of his passion and the governments reason. Alex is both narrator and protagonist, plays a pivotal role in the novel and the development of themes and acts as a vessel for the author…show more content…
He loves classical music, specifically Beethoven’s ninth symphony, and finds that violence and music provide him with similar kinds of pleasure, viewing them as artistic achievements of a sort. The sense of satisfaction he feels when slashing an enemy, throwing a punch, or sexually assaulting a woman take on an aesthetic significance for him and violence becomes elegant and artistic for Alex. He describes his razor, for example, as something he can “flash and shine artistic.” Likewise, brutality brings out the rhythmic, colorful, and poetic linguist in Alex. Violence heightens his powers of metaphor and description, as he describes the pouring of blood “in like red curtains”, the color of a woman’s nipple, and the “four-in-a-bar” screaming he hears during sex. All these encounters Alex experienced help the reader validate the fact that Alex does these violent actions by choice and it is not a matter of external forces that influence Alex’s behaviour. Further incorporation of the idea of a person’s freedom of choice is included whilst Alex speaks with his probation officer, P.R. Deltoid. He asked “What gets into you all?” and “We study the problem and we’ve been studying it for damn well near a…show more content…
Whilst in this prison, he meets the chaplain, the resident priest of Staja 84F, Alex’s prison. Alex asks the chaplain about a program he’s been hearing about, which allows prisoners to shorten their sentences. The chaplain has heard of this experimental program, called Ludovico’s Technique, but disapproves of it. The chaplain addresses the dangers of Alex’s ambition when he tells Alex that “goodness is something chosen. When a man cannot choose he ceases to be a man.” The Government believes that evil represents a corrupt version of goodness, as opposed to an equally valid state of being. Goodness, therefore, is a naturally occurring phenomenon, yet they argue that evil, the opposite of goodness, somehow requires a explicable cause. The increased violence in the jail forces it to go into a full lockdown. The prisoners sit silently in their cell, until the Minister of the Interior comes to resolve the problem. He criticizes the current “penological theories” and advocates treatments on a “purely curative basis” that kills “the criminal reflex.” (Alex’s impulsive reckless delight in violence that the Minister calls the “criminal reflex”) He then selects Alex to be the first in a new criminal correction program, the Ludovico Technique. Ludovico’s Technique eliminates the essence of humanity by removing individual free will, which, by necessity, must
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