Barta Mr. Hopkins AP English Literature March 9th, 2015 Hurston Does Not Need To Be Wright English theatre writer Kenneth Tynan once said, “A critic is a man who knows the way, but can’t drive the car.” Richard Wright seemed to fit the bill of this quote, as he judgmentally assessed the black literature produced by Zora Neale Hurston without substantiated endorsement. In his critique of her distinguished novel Their Eyes Were Watching God, Wright voices an opinion of harsh disapproval; he faults
Zora Neale Hurston’s Their Eyes Were Watching God presents a female protagonist heroine named Janie. Her longing desire for love and quest to becoming an intelligent young black woman makes this novel one of Hurston’s greatest. The notion of body and sensuality in Hurston’s novel have always been critiqued by several perspectives. Helene Cixous French author of The Laugh of the Medusa, focuses solely on the hostility toward the patriarchal binaries. Cixous believes that feminine writing is connected