Jill Halberstam in her essay Parasites and Perverts takes everything that we believe about the monsters of today and flips it and displays their lack of creativity compared to Gothic Monsters She references other analytical pieces, such as “The Censorship of Fiction”, to help her explain thesis connecting the two types of horror fiction and the recycled fear tactics used in today’s horror genre. Overall Jill Halberstam does an exceptional at persuading the audience of her thesis showing the migration
emotionally and physically, and can handle tough situations smoothly when they get put into them. The way she deals with the whole situation can be perceived as a 1970s or a 1980s final girl. First of all, in the “Final Girls and Terrible Youth” essay, Trencansky describes the 1970s final girls as women who run away, scream and hide when they come face to face with the monster (64). As Trencansky says it, they “usually survived seemingly at random, based on their ability to scream, run, and avoid
Research Methods: Traditional and Digital EL0767 Critical Review: Skin Shows: Gothic Horror and the Technology of Monsters by Judith Halberstam Katie Weymes 09006464 Introduction As a key text of its field, Skin Shows: Gothic Horror and the Technology of Monsters by Dr. Judith Halberstam, approaches the topic of monstrosity as a construction of the body through a range of discourses in the evolution of Gothic culture from literature of the early nineteenth century to modern film. A contribution