Abstract: Secularism, a term that is growing in terms of popularity, in the East and West. This term has been given a new context and understanding, and is now seen as a tool to curb the extremism. Extremism is seen to destroy the world, and in such a case, secularism is seen as a tool to repress such sentiments. However, this has not been the case especially in the case of Europe and parts of Asia, where despite secularism, terror groups are still active and causing a growth in intolerant behaviour
reward to the honest, delivering of justice through unbiased means, enhancement of the finances of the state through just and equitable methods and ensuring that the state and the subjects are safe. Narada smriti goes on to say that the principles of secularism and tolerance must be of utmost importance among the King’s priorities. The difference between just dharma and Rajadharma is that while the former draw its validity primarily from the Vedas, the latter gets its legitimacy from other sources as
the history of India.” One would not disagree that Sardar Vallabhbhai Patel was one of the most important leader for the republic of India. He was known to be social leader of India who played a major role in the country's struggle and revolution for independence and guided its integration into a united and independent nation. Sardar Vallabhbhai Patel was an Indian barrister, statesman and the leader of the Indian National Congress. He was also the First Deputy Prime minister of India. Sardar Vallabhbhai
Muhammad-Bin-Tughlaq, one of the most controversial and eccentric rulers of India. It is a well known fact that the literary writer has to represent human life in action and thought within the constraints which history set before him. It is interesting to analyze how Girish Karnad has portrayed the social, political and economic conditions of that time and how Tughlaq, the protagonist, with his wisdom, strong character and firm policy of secularism struggled to stabilize the kingdom. How does Karnad achieve excellence
more or less indisputable today. The roots of theatre in India are ancient and deep-seated. Theatrical expression of some kind or the other has been since primitive and mythic times, an integral part of Indian life. Our knowledge about the initial, primitive stage of theatrical activity in India is very meagre. However one can safely say that theatre in India as in Greece was deeply embroiled with religion and the theatrical activity in India as in other cultures “began with primitive, magical, religious