Han woman in Beijing were the first to adopt the qipao, consisting of “wide sleeves, loose silhouette, and lower calf-length.” The qipao lacked the trimming and fancy embroidery of Qi’s pao (Yang, 2007). Following western fashion, the qipao gradually shortened in length to just under the knee in 1929 and the lack of silhouette reflected the trend towards a boyish figure at the time (Wang, 1975). The androgynous nature of the qipao serves to echo emerging female thoughts of gender equality
Shanghai and established her own brand, Grace Chen. Her unique style of oriental beauty was soon embraced by the female elites in Shanghai and Beijing. Grace is now regarded as one of the most influential couture designers in China. In 2015, she was hailed by the South China Morning Post as "the power dresser...who China's top achieving women turn
This essay will be focusing on the statement made by John E. Vollmer, “Cultural authentication in dress is a process of assimilation through which a garment or an accessory external to a culture is adopted and changed. With this change, over time, the artifact becomes a vital, valued part of the adopting culture’s dress”. In this argument, will look at this process with three examples. There will be three different example: ear and facial piercings in the current world for aesthetic purposes, a fashion