depicted in Noddy, in relations to other discourses of representation of humans, such as minstrel blackface performance from the 1840s in America and Europe. By discussing the history of the construction of difference, which was entrenched in both texts and imagery, through depictions of invented monsters. I will argue how the “monsters” were significant to introduce negative stereotypes, which unpins the characterisation of difference, in relation to race. Furthermore, through conducting interviews