Chicago is an excellent performance to study when writing about issues such as gender, race, class and sexuality. Although there has been many versions such as the Broadway musical, Frank Urson’s 1927 film and, of course, the original text by Maurine Watkins, for this essay, I am going to be focusing on Rob Marshall’s 2002 film adaptation. It is important to know that this version is based on Bob Fosse’s 1975 Broadway adaptation. Fosse himself struggled with the temptation of pills, alcohol and women