by- Anvi Dadhich (1555) Indian poetry before and independence has been a debatable topic among the critics. Critics are bifurcated into two groups on the achievement of Indian English poetry, especially. There is group of critics like C.D. Narasimaih and V.K. Gokak who applaud the poetry of Sri Aurobindo and Sarojini Naidu, while critics like Parthasarthy and others have appreciated the poetry of post-independence era (after 1947) and have outright condemned the poetry of pre independence period. According
The distinctiveness of Indian theatrical tradition in the dramatic cultures of the world—its antiquity as well as its aesthetic appeal—is more or less indisputable today. The roots of theatre in India are ancient and deep-seated. Theatrical expression of some kind or the other has been since primitive and mythic times, an integral part of Indian life. Our knowledge about the initial, primitive stage of theatrical activity in India is very meagre. However one can safely say that theatre in India as