What makes The Catcher in the Rye and The Bell Jar both such magnificent and well written books? One might say that it’s because people can learn from the abundance of themes each book presents. The themes that most stood out in each of these books are “The Search for Identity”,”The Melting Pot”, and “The American Dream”. Each of these books provided much detail and provided much knowledge about these themes. These books, written by J.D. Salinger, and Sylvia Plath, each provide many examples and
including Sylvia, to stay home from her husband's funeral. This action only deepened the deep seeded hatred for her mother, causing Plath to believe this was a tell-tale sign of her mother's lack of grief over her father's death. "An observation in the Bell Jar by a sadistic Esther appears to support this interpretation, while also presenting a rather cruel caricature of Aurielia's (Plath's mother) tendency to fall back upon banal Christian platitudes for guidance" (Tsank 166). Uncensored journals written
Plath's confessional poetry focuses on the experiences of women by centering on pregnancy and motherhood. The Bell Jar offers an early example of Plath’s work and writings that display her rejection of motherhood and serves as a precursor to the more barefaced rejection of motherhood and pregnancy found in Plath’s later poetry. Many of Sylvia Plath’s poems frequently
In ‘The Bell Jar’ the theme of sanity vs insanity is apparent from the beginning of the novel. Esther does not feel she is out of place, but acknowledges this. She does not feel the excitement everyone else around her feels but instead that excitement makes her feel sick. ‘I felt very still and very empty, the way the eye of a tornado must feel, moving dully along in the middle of the surrounding hullabaloo.’ Right from the beginning of the novel we can see that Esther is slowly starting her journey
Wharton, Plath and Gilman use the relationship between America’s middle-class idealization of the home and the popularity of the Gothic to distort the icon of the home, from a hub of warmth, joy and growth to a deeply disturbing brokenness that is reflective of the broken relationships within the home, challenging the false claims of the home as a safe, protected place. All three writers subtly link terror - the most important ingredient of the Gothic to acts of transgression, and show how the home