foot tall female figured covered in fabric and is ornamented in calligraphy wording and images. She is arranged in the center of the exhibit and is accompanied by a word covered mannequin representing Lucifer, as well as nine large linen murals that have interlocking words of poetry and journalism stories speaking on cruelty and violence, lust, forgiveness, reflection, and transcendence. The murals also contain pictures that give emphasis to the
Donne’s approach to the erotic revolves around the Ovid style of poetry. Ovid teases the reader with its wit and detachment in describing the aggressive pursuit of woman by the male speaker (Guibbory 133). An example of this style is Donne’s ‘Elegy 19’. ‘Elegy 19’ depicts a dominant male coaxing a faceless woman into undressing through witty conceits revolving around colonialism. For Donne’s speaker, the act of sexual intercourse is much like a battle and the conquest of a country. ‘The foe ofttimes
that civilization, or what fragments of it they could remember, with them. Hence the values they possessed, the attitudes they displayed, the arrangements they established, and the practices in which they engaged, were all in some degree or other a reflection of the world in which they had been born and within which they had been educated and fashioned” (Spitz). Likewise, in the
As love or hate, passion may exhibit strong amorous feelings and desires. Like Dido has been succumbed to the passion of love for another human being. With strong or extravagant fondness, sexual desires, and lustful feelings, I too was struck at a young and tender age. I used my beauty