Power No water, food, or adults. What would you do? Would you be one of the responsible ones? Or one of the people caught up in the uncivilized acts of murder, greed, and fear? The characters in the book, Lord of the Flies, arrive on the island not knowing anything. These are little boys, so their actions reflect nothing but utter irresponsibility. When there is such irresponsibility, it leads to total chaos and savage-like behavior. The boy’s decisions lack maturity at best, but this could
authors have incorporated and or adapted elements of these myths and characters into their own work. A prime example of this can be found in L.P Hartley’s classic, The Go Between as he plays of the legend of Icarus; the son of Daedalus who dared to fly too near the sun on wings of feathers and wax. To those who have studied the legend it is clear that Icarus’s character presents many flaws: a desire to break free from boundaries, naivety, hubris (extreme pride or self-confidence), and blind passion
background of a painting. The theory of foregrounding is probably the most important theory within stylistic analysis, and foregrounding analysis is arguably the most important part of the stylistic analysis in poetry. And it is realized through linguistic deviation and linguistic parallelism.This paper aims at exploring the aspects foregrounding inE.E.Cummings' " Love is a place" and Lord Alfred Tennyson's " Now sleeps the crimson petal, now the white." In his essay "Language In Literature: Style