that Desdemona is not faithful to him, Othello tries not to condemn his wife too harshly. The handkerchief is still a topic he brings up when talking to Iago. The Scene, which starts on page 137 in the manga, begins with a picture of Othello´s tainted wings, which are now even more consumed by darkness. As he asks Iago about the handkerchief, Iago playd with a single black feather. This could be some sort of trophy for Iago, as he is the reason for which Othello´s soul and wings are blackening. The
own motives for their wicked ways. In the play “Othello,” William Shakespeare presents the villain known as Iago, who is a manipulative devil that only cares for himself and will stop at nothing to reach his goals. In the novel “Wuthering Heights,” Emily Bronte presents the cruel character Heathcliff, who seeks revenge on his enemies. The bad guys of both genres each make the largest contribution to everyone's tragic ending. Heathcliff and Othello are two different types of villains and it is obvious
from different black people’s skin tones. The child would be able to design their new black doll, which is intended to embody an awareness of identity constructs that are enforced through toys and children’s literature. The intervention in the character would be the decision of the children, because children’s minds are shaped very young. I am aware that the knowledge of the implications of racial connotations places a certain responsibility on children, by making them conscious of what they consume
and detailed account of the story. It prioritizes the analysis of personal spirit to society. It puts forward the anti-morals. Writers such as Freud see the love, regret and fear emerging from human’s unsatisfied physical and sexual
Woman: God’s second mistake? Friedrich Nietzsche, a German philosopher, who regarded ‘thirst for power’ as the sole driving force of all human actions, has many a one-liners to his credit. ‘Woman was God’s second mistake’, he declared. Unmindful of the reactionary scathing criticism and shrill abuses he invited for himself, especially from the ever-irritable feminist brigade. The fact and belief that God never ever commits a mistake, brings Nietzsche’s proclamation dashingly down into the dust bin