all hope for humanity was lost – humans were only capable of violence. In Rashomon, Kurosawa uses a series of false flashbacks to emphasize not the meaning of truth, but the egocentric nature of humanity. By drawing a parallel between Plato’s allegory of the cave and Rashomon through the character development of the woodcutter, this paper proves that Rashomon is a film about humanity’s multi-faceted morality and its ability to demonstrate compassion in conjunction with egocentrism. Rashomon is a film
critiquing widely held opinions and beliefs. Socrates considered himself ordinary with average intelligence and regularly admitted that he knew nothing, which put him on a neutral plane, in terms of making judgment calls. He said that without self-analysis and objective Devries 2 evaluation humans simply survive rather than live, which continues to corroborate his neutral position. In the end, he opted to receive his fatal sentence to drink hemlock poison instead of deny his philosophic lifeblood