competitor for audiences was theatre, as cinema was theatre's two-dimensional counterpart. In Alfred Hitchcock's 1954 film Rear Window, he attempts to blur the distinction between cinema and theatre. Obviously the largest difference is that Rear Window is a film however Hitchcock toys with the idea of having a play within the film and having his main character take on the roll of an audience member. By doing so Hitchcock has opened up various ways of narrating the film, via different characters and perspectives
Write an essay in which you explore the interplay of the personal and the political in After the Bomb. The dropping of the atomic bomb on Nagasaki and Hiroshima in 1945 exposed capabilities held by influential political powers, and humanity as a whole, previously thought unattainable. It unveiled man’s capacity for destruction, and highlighted the motives held by the political powers in doing so - the end justifies the means. John Le Carre’s The Spy Who Came In From The Cold (1963), Robert Wise’s