When "The Lottery" was first published in the New Yorker during the June of 1948 criticism was loaded onto author Shirley Jackson by the bushel; with its optimistic title, "The Lottery" drew readers in with the promise of an uplifting story of luck and fortune only to shock and repulse readers into frenzy. Jackson received hundreds of letters from readers expressing their upmost dissatisfaction with the story, the New Yorker lost numerous subscribers, and several people even wrote to Jackson to ask
when I evaluate a novel or a movie. Based on these criteria, I think Shirley Jackson’s ‘The Lottery’ is a good story. First, ‘The Lottery’ is open to diverse interpretations. Some people might wonder why this is a standard for a good writing. I believe that art (novel, movie, music, drawing, etc.) is completed when its artist and its audience work together to develop its