The category of science fiction has for a long period been a place where authors can ponder on the prohibited thoughts and questions that arise in almost any civilization, be they perceptions of oppression, control, political, religious heresy or dissent (Chaffee 41). It is evident that Le Guin also utilizes this perception in The Lathe of Heaven by portraying an environmentally wrecked sphere, precisely an environmentally wrecked Pacific Northwest. In The Lathe of Heaven novel, Le Guin utilizes philosophical issues like utilitarianism, anarchism, positivism, and behaviorism in the context of Orr’s effort to regulate the activities of his mind and Haber’s efforts to abuse them (Winemaker 17). Le Guin’s Taoism stresses the final goal that one ought to live their life in seamless harmony with the biosphere around them contrasted with the Christian notion of individuality. The novel presents two opposing characters: George Orr and William Haber, which is the yang and the yin of the eastern and western religion and characters signify the two beliefs as antipodal forces. This essay offers an analysis of these two protagonists and the principles of these key religions utilizing the fantasy background of a science fiction narrative.
Lathe terms an…show more content… Contrariwise, Dr. Haber is the most worthless slab of wood since he wants nothing more than to modify, and have a magnificent impact on, nearly everything (Bernardo 63). Dr. Haber’s voracious longing for power is exhibited near the very beginning of the novel when he momentarily discourses his own dreams, specially his personal day dreams with Orr. “I normally day dream heroics. I am the hero. I’m rescuing a girl, or a fellow spaceman, or a plagued city, or an entire damn planet. Messiah imaginings do-gooder dreams. Haber protects the