of the Romantic Movement in its appreciation of nature, and the use of sublime imagery is prevalent in the literature du jour, and is presented as the diametric opposite to what Julia Kristeva calls the abject in her 1980 work, Powers of Horror: An Essay on Abjection. Abjection is the human reaction (such as terror or horror) to a threatened loss of meaning when confronted by the loss of distinction between the subject and the object: the moment at which the subject (the Cartesian “I”) is confronted
Saul Leyva English 2323 Professor Andres October 21, 14 Cultural Analysis Essay The culture of every era has impacted literature since the beginning of time. The culture defines the boundaries of literature. It is amazing how literature can display the specific culture of the time and how our culture as whole has changed. The Romantic era was so different compared to the Victorian Age and even more different than the Twentieth Century. These different ages not only show different ideas of literature
Barbara Claire Freeman's Frankenstein With Kant: A theory of Monstrosity or the Monstrosity of Theory1 critique's on Kant's theory on sublimation and monstrosity. She manifests a contrast between Kant's emphasis on the sublime which stands for the aesthetics and “boundlessness of an object”, and Frankenstein's monster which represent the horror and “catastrophe” that Kant forbids for a state of sublime. The atmosphere that Mary Shelley conveys the Monster in includes elements of a “sublime landscape”
“The ‘Uncanny’” is an essay written by Sigmund Freud which elaborates the concept of the uncanny in terms of psychology. In the essay, he studies the definition of the uncanny by comparing the word’s meaning in different languages and contrasting the concept of uncanny with Jentsch’s definition. Through this essay, he challenges Jentsch’s idea by arguing that the uncanny should not just based on the concept of the living of the non-living thing but is based on a more psychological interpretation