Stereotypes In Francis Ford Coppola's The Godfather

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Francis Ford Coppola’s The Godfather, a 1972 crime film, has in due course engrained itself within American pop culture, and is often deemed as a pinnacle of achievement in the film industry. Nevertheless, what copious oglers do not comprehend is that The Godfather is grounded upon various sociological leitmotifs, which in turn are seamlessly employed to immerse an audience into the realm of the Corleone Family. Furthermore, this motion picture exemplifies how all of its characters have been constructed by a sociological institution, the role and authority of deviance within society, etc. Moreover, Coppola’s magnum opus has resonated for such a prolonged period, as it has truly molded the American cultural consciousness. Robert Merton’s social…show more content…
In addition, this belvedere examines humanity by focusing on the idiosyncratic implications that individuals enact on articles, occasions, and conducts. Also, biased denotations are given priority, for it is notioned that society acts upon what it judges, not what is empirically accurate. Consequently, he assumed that since the Corleone family was merely a group of Mafioso’s (i.e. hired thugs), that he could expend money to exploit them to avenge his daughter. Furthermore, Bonasera had a sense of ethnocentrism, for he assessed the Corleone’s principles concurring to presumptions deriving from the values and traditions of his beliefs. Subsequently, Bonasera is quickly corrected by Corleone, who affirms that while he may be a titan of industry in organized crime, he simply desires what everyone covets, respect and…show more content…
Furthermore, each of Vito’s sons, Sonny, Fredo, and Michael were socialized into a distinctive lifestyle, for they acquired the applicable manners, morals, and activities to partake in the undertakings of their crime family. Also, it is presented in The Godfather that if one is not appropriately socialized into the Mafia, that they are prone to become ‘deviant,’ by their criteria. Kay Adams, Michael Corleone’s wife is a paradigm example of an individual who was admitted into the Mafia lifestyle; yet in turn, she rejected their way. Owing to this betrayal, she virtually lost everything beloved to her, and would be alienated by her Mafia in-group. Additionally, this is comparable to any individual who discards how they were socialized. For instance, if someone commits an act that is abnormal to a particular community, those people would isolate them. Similarly, Kay is stigmatized for her public display of disloyalty to Michael, and therefore is degraded as a human being, and thus barred from the Mafia’s societal collaborations. Also, as there is deterrence and retribution in any for form of societal institution, the Mafia as exposed in The Godfather also has a certain code of ethics that should not be broken, for the consequence is

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