Here only a few of the views of McKee to a brief analysis, there are a lot of McKee's book has some inspiration to us, full of insightful ideas are also worthy of our thinking, to practice, to experience.
Then, McGee in the book tells the story of the creation of the principle. According to Robert McKee, a story is a five-part design: motivation, progress, crisis, orgasm, and outcome. When an incentive event occurs, it must be a dynamic, fully developed event, not a static or fuzzy event. Incentive events must completely break the balance of the various forces in the hero's life, and then in his mind arouse the desire for balance. The next action of the protagonist for this need is usually very rapid, and occasionally also deliberately conceived…show more content… Large plot refers to the most common kind of social conflict, the conflict between people as the main content, according to linear time story, the outcome is usually closed, the character is only a character story. Small plot is the character of the inner conflict, often open-ended, characters often have multiple complex character story. Anti-plot is the above two are not, the kind of experiment to the kind of…show more content… So the linear description is easier to understand.
Endings are usually closed: people tend to give a conclusion on what is happening or the problem. Private with the wisdom of the individual level of this relationship is still big.
In recent years the story of the plot is also quite small. McKee attacked those who go for fashionable contempt for the big plot of beach-goers. He said that this is just a fashion trend. When the big plot for a long time, go to the beach to write a small plot. Such as small plot more later, the big plot is likely to re-pop up.
And our primary language textbooks to the story is usually divided into the beginning, development, climax, the end of the different requirements of the Hollywood film requires a start, development, sub-climax, orgasm, ending at least five parts.
The character as much as possible to avoid only two contend with the main character (or force), at least three characters or three forces. Because the two forces relative to only two outcomes, three kinds of forces will make the outcome of the possibility of rich and colorful, so that readers more difficult to guess.
[Rhythm of the