Introduction My biggest concern with documentary photography is that there exists the notion that documentary photography should be truthful. During my studies I’ve learned allot about narratives and photographic strategies, but little has been mentioned about ethics. Documentary photography has been described as a form, a tradition and a style however there is not one single definition of the word. I’m interested in the line between the photograph as a document of something and the photograph as
This essay explores Wes Anderson as an auteur director and how race and class are dealt with in his work. The narrative and unique hybrid genre of Rushmore will also be discussed. Wes Anderson is an auteur as he has creative authority over his projects and his a hyphenate (he directs and writes all of his films). Additionally, he is constant in his visual approach. Anderson’s second movie, Rushmore, has his signature symmetrical and wide angle shots throughout. One of his distinctive slow motion