Motherhood is viewed as universally nurturing, caring, and filled with involvement, but is this always the case? Do mothers have to actively shape their children’s lives to be considered a good mother or, more precisely, an effective mother? In Toni Morison’s Sula, two central mother-daughter relationships are presented that exemplify two extremes of motherhood. Both Sula and Nel live with mothers who lean towards the extremes of involvement: Hannah provides Sula with a relatively unsupervised childhood