In the article, “Swedish cinema’s use of the Bechdel test is a provocation that works,” authors Anu Koivunen, Ingrid Ryberg and Laura Horak defend the moral grounds on which the Bechdel test stands in movie-culture. The Bechdel test is composed of three main components to decide if a film adequately represents women in films: that there are at least two named women in the film, that they talk to each other, and that their conversation consists of something other than men. Although Koivunen, Ryberg