Contrary to critics’ belief of characters being “superficial caricatures”, these characters represent the suffering and and anger of the french youth through spectacle. Most of their characters are passive-aggressive in nature (Gorodish, Nikita or Léon for example), break boundaries, are indifferent and independent, refuse to enter social norms, establish alternative systems and cultures (e.g. le métro in Subway). At the same time, the rest of society representing social order, are portrayed in this