Reference > Cambridge History > Colonial and Revolutionary Literature; Early National Literature, Part I > Bryant and the Minor Poets > Limitations as a Poet
  His Style Bryant as Critic and Editor  

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The Cambridge History of English and American Literature in 18 Volumes (1907–21).
VOLUME XV. Colonial and Revolutionary Literature; Early National Literature, Part I.

V. Bryant and the Minor Poets.

§ 13. Limitations as a Poet.


Yet Bryant is not one of the world’s master-poets. It is not so much that he contributed little or nothing to philosophic thought or spiritual revolution, not altogether that his range was narrow, not that he never created a poem of vast and multitudinous proportions, drama, epic, or tale, not that he knew nature better than human life and human life better than human nature, not htat he now and then lapsed from imaginative vision into a bit of sentiment or irrelevant fancy,—not either that there is not a single dark saying, or obscure word, construction, allusion, in all his verse, for the judicious to elucidate at a club or in a monograph. He is not one of the world’s master-poets, because he was not pre-eminently endowed with intellectual intensity and imaginative concentration. The character of his whole mind was discursive, enumerative, tending, when measured by the masters, to the diffuse. Thus, among other results, his report of things has given man’s current speech but few quotations, of either epigrammatic criticism or haunting beauty. A book could be written on this thesis, but a paragraph must suffice. It is just as well: it is better to realize what Bryant was than to exploit what he was not.   23

CONTENTS · VOLUME CONTENTS · INDEX OF ALL CHAPTERS · BIBLIOGRAPHIC RECORD
  His Style Bryant as Critic and Editor  
 
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